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Texas A&M University and the US Army III Corps will hold a training event for 30 soldiers and 30 students to participate in an Intensive Design Experience (IDE) that will unlock the process of innovation for all participants. It will be accomplished by providing an Innovation Mindset framework and then practicing this by designing and building solutions to problems III Corps has identified. Phantom Invent (https://engineering.tamu.edu/student-life/aggies-invent/events/phantom-invents.html) is held in a competition format, with regularly scheduled deliverables, which will form the basis for purposeful intensity. 

Take a selfie alongside one of the implied action silhouettes, or gather a group of your fellow Aggies to photograph a silent flash mob! A bistro vignette will provide the illusion of you having a drink with a friend, while the garden view will set the scene for some work amid the flowers and plants. Celebrate a wedding from the proposal to the ceremony flower arch. Come join the fun!

From the rugged mesas of the Panhandle and the steep-sided mountains of Big Bend Country to the waterways of the Gulf Coast and rolling grasslands of the prairies, visitors will journey through the diverse ecological regions of Texas as interpreted by individual artists. In celebration of 100 years, the Texas Parks and Wildlife Department commissioned 30 Texas artists to depict scenes from parks, natural areas and historic sites in the state park system. The selections on view are as varied as the parks themselves and offer a snapshot of Texas' rich history and ecosystems. This exhibition represents the seventh installation in the Texas Art Project (https://uart.tamu.edu/texasartproject/) series.Organized by The Meadows Center for Water and the Environment at Texas State University, Texas Parks and Wildlife Department, and Stark Galleries. Additional support provided by Texas Parks and Wildlife Foundation and H-E-B.This exhibition includes work from artists such as Randy Bacon, Mary Baxter, David Caton, Charles Criner, Margie Crisp, Ric Dentinger, Fidencio Duran, Janet Eager Krueger, Joel R. Edwards, Malou Flato, Gordon Fowler, Pat Gabriel, David R. Griffin, Brian Grimm, Clemente F. Guzman III, Karl E. Hall, John Austin Hanna, Billy Hassell, Hailey E. Herrera, Lee Jamison, Denise LaRue Mahlke, Jim Malone, Talmage Minter, William B. Montgomery, Kermit Oliver, Noe Perez, Jeri Salter, Jim Stoker, Bob Stuth-Wade, and Terri M. Wells.  

Majolica was introduced at the Great Exhibition of 1851 and quickly became ubiquitous in Victorian England and America, with works appearing in museum displays and royal palaces as well as in the homes of average citizens. As majolica retailed at a cheaper price than porcelain, it was available to a fairly broad range of society and, in Victorian homes, was commonly found in the conservatory or dining room, in the form of tureens and servers, jardinières, teapots, garden seats, plates, and decorative statues. Initially popular in England and the Continent, many British potters and craftspeople immigrating to North America contributed their knowledge and skill to the growing American pottery industry, leading to the large-scale production of majolica. When the lead glazes needed to achieve majolica's shine and vibrancy were outlawed as poisonous to workers, its production all but ceased. This exhibition helps tell the story of majolica and helps to restore its legacy to the history of design.

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