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Dr. Trost will describe the complex iterative process involved in creating VR interventions and critical involvement of people with lived experience—individuals with spinal cord injuries, chronic pain, and histories of addiction—whose input can challenge and correct initial assumptions. She will also address the scientific and clinical crossroads facing the field, which currently lacks a shared language or unifying theoretical framework to meaningfully guide progress. Dr. Trost will address common misconceptions about VR interventions and their capabilities, clarifying what these tools can—and cannot—achieve. Finally, she will highlight emerging efforts to move the field forward as technology races ahead.The Fallon-Marshall Lecture was established in 1994 by Mary Marshall as an event to discuss current issues in the humanities and social sciences. Named after Marshall and former dean of the legacy College of Liberal Arts Daniel Fallon, the annual lecture provides the College the opportunity to share the outstanding scholarship happening within the College.More information:tx.ag/TrostFM (https://tx.ag/TrostFM)Contact informationglasscock@tamu.edu (mailto:glasscock@tamu.edu) 

Exhibition on Display: March 20–May 10, 2026Gallery HoursTues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m; Closed Mon. The J. Wayne Stark Galleries presents Elements with Enid, a floral perspective using the elements and principles of floral design to take a fresh look at mid-century designer, Enid Collins. This exhibition spans more than 50 years of fashion history and haute couture handbag designs from legendary Texas-based designer, Enid Collins. It features multi-media works created by Texas A&M University students in the class, HORT 453 Floral Art, in the Department of Horticultural Sciences and artworks by Enid, herself. Enid Collins of Texas handbags and other fashion accessories are on loan from the Finding ENID with LOVE collection (https://findingenidcollins.com/), of Longmont, Colorado. Founder Karen Adler serves as the collection manager for more than 2,000 original Enid Collins handbags, fashion accessories, archival materials, and derivatives, including unauthorized knock-offs that Enid dubbed "copy cats."  Enid Collins in her studio, circa 1960s.