Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m.  Widely recognized as a pioneer of photography in the 20th century, Willoughby was the first outside photographer invited by studios to take photos on film sets. Willoughby's career took off in 1954 when Warner Brothers asked him to photograph Judy Garland during the filming of A Star is Born. Life magazine published a feature with over a dozen of Willoughby's candid photographs of Garland working on set, and a close-up photograph of her appeared on the cover. Willoughby's career took off, and his photographs became instantly recognizable, featuring naturalistic images of actors and directors in intimate moments of vulnerability. The magazine Popular Photography has called Willoughby "… the man who virtually invented the photojournalistic motion picture still." Responding to the many logistical challenges of working on film sets, he was a technological innovator, creating the silent blimp for 35mm still cameras so that he could photograph silently on set, capturing intimate moments of the stars. The exhibition features photographs from the sets of seventeen iconic Hollywood films, including Audrey Hepburn in My Fair Lady, Alfred Hitchcock on the set of Marnie, Mia Farrow in Rosemary's Baby, and Marilyn Monroe in Let's Make Love. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

For service information, transport.tamu.edu/busroutes  (http://transport.tamu.edu/busroutes)

Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m.  Designed to evoke and capture a sense of childhood fantasy, A Colorful Dream tells a simple coming-of-age story in rich symbolic language that takes the viewer on a journey through the entire spectrum of the rainbow. A Colorful Dream is a family-friendly, interactive exhibition by contemporary fine art photographer Adrien Broom. The exhibition features a suite of photographs, some of them large in scale, detailing a young girl's journey as she discovers a series of monochromatic fantasy worlds exploring the rich hues and associations we have with every color in the spectrum. The Huffington Post describes Broom's photography as "deeply rooted in fairy tales and mythology, reinterpreting figures like Aphrodite and stories like Goldilocks and the Three Bears." Over three years in her studio, Broom constructed eight individual sets composed of objects evoking the essence of each respective color. She then photographed a young girl exploring and traveling through each world, passing through small portals that lead her on a journey through a red world, then orange, yellow, green, blue, purple, and lastly a rainbow encompassing all the colors. Encountering creatures, characters, and vivid landscapes, Broom's protagonist finds worlds lush, joyful, and even sometimes startling. In looking at the images, it would be easy to mistake the effects as a digital manipulation of the original photograph. In fact, Broom creates each of these worlds by hand, much like a stage production. These images are not put together using photo-editing software, but are the result of hours of crafting tableaux, so what the viewer sees is in fact what was in front of the camera's lens during the shoot. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m.  Widely recognized as a pioneer of photography in the 20th century, Willoughby was the first outside photographer invited by studios to take photos on film sets. Willoughby's career took off in 1954 when Warner Brothers asked him to photograph Judy Garland during the filming of A Star is Born. Life magazine published a feature with over a dozen of Willoughby's candid photographs of Garland working on set, and a close-up photograph of her appeared on the cover. Willoughby's career took off, and his photographs became instantly recognizable, featuring naturalistic images of actors and directors in intimate moments of vulnerability. The magazine Popular Photography has called Willoughby "… the man who virtually invented the photojournalistic motion picture still." Responding to the many logistical challenges of working on film sets, he was a technological innovator, creating the silent blimp for 35mm still cameras so that he could photograph silently on set, capturing intimate moments of the stars. The exhibition features photographs from the sets of seventeen iconic Hollywood films, including Audrey Hepburn in My Fair Lady, Alfred Hitchcock on the set of Marnie, Mia Farrow in Rosemary's Baby, and Marilyn Monroe in Let's Make Love. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

For service information, transport.tamu.edu/busroutes  (http://transport.tamu.edu/busroutes)

Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m.  Designed to evoke and capture a sense of childhood fantasy, A Colorful Dream tells a simple coming-of-age story in rich symbolic language that takes the viewer on a journey through the entire spectrum of the rainbow. A Colorful Dream is a family-friendly, interactive exhibition by contemporary fine art photographer Adrien Broom. The exhibition features a suite of photographs, some of them large in scale, detailing a young girl's journey as she discovers a series of monochromatic fantasy worlds exploring the rich hues and associations we have with every color in the spectrum. The Huffington Post describes Broom's photography as "deeply rooted in fairy tales and mythology, reinterpreting figures like Aphrodite and stories like Goldilocks and the Three Bears." Over three years in her studio, Broom constructed eight individual sets composed of objects evoking the essence of each respective color. She then photographed a young girl exploring and traveling through each world, passing through small portals that lead her on a journey through a red world, then orange, yellow, green, blue, purple, and lastly a rainbow encompassing all the colors. Encountering creatures, characters, and vivid landscapes, Broom's protagonist finds worlds lush, joyful, and even sometimes startling. In looking at the images, it would be easy to mistake the effects as a digital manipulation of the original photograph. In fact, Broom creates each of these worlds by hand, much like a stage production. These images are not put together using photo-editing software, but are the result of hours of crafting tableaux, so what the viewer sees is in fact what was in front of the camera's lens during the shoot. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m.  Widely recognized as a pioneer of photography in the 20th century, Willoughby was the first outside photographer invited by studios to take photos on film sets. Willoughby's career took off in 1954 when Warner Brothers asked him to photograph Judy Garland during the filming of A Star is Born. Life magazine published a feature with over a dozen of Willoughby's candid photographs of Garland working on set, and a close-up photograph of her appeared on the cover. Willoughby's career took off, and his photographs became instantly recognizable, featuring naturalistic images of actors and directors in intimate moments of vulnerability. The magazine Popular Photography has called Willoughby "… the man who virtually invented the photojournalistic motion picture still." Responding to the many logistical challenges of working on film sets, he was a technological innovator, creating the silent blimp for 35mm still cameras so that he could photograph silently on set, capturing intimate moments of the stars. The exhibition features photographs from the sets of seventeen iconic Hollywood films, including Audrey Hepburn in My Fair Lady, Alfred Hitchcock on the set of Marnie, Mia Farrow in Rosemary's Baby, and Marilyn Monroe in Let's Make Love. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

For service information, transport.tamu.edu/busroutes  (http://transport.tamu.edu/busroutes)

Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m.  Designed to evoke and capture a sense of childhood fantasy, A Colorful Dream tells a simple coming-of-age story in rich symbolic language that takes the viewer on a journey through the entire spectrum of the rainbow. A Colorful Dream is a family-friendly, interactive exhibition by contemporary fine art photographer Adrien Broom. The exhibition features a suite of photographs, some of them large in scale, detailing a young girl's journey as she discovers a series of monochromatic fantasy worlds exploring the rich hues and associations we have with every color in the spectrum. The Huffington Post describes Broom's photography as "deeply rooted in fairy tales and mythology, reinterpreting figures like Aphrodite and stories like Goldilocks and the Three Bears." Over three years in her studio, Broom constructed eight individual sets composed of objects evoking the essence of each respective color. She then photographed a young girl exploring and traveling through each world, passing through small portals that lead her on a journey through a red world, then orange, yellow, green, blue, purple, and lastly a rainbow encompassing all the colors. Encountering creatures, characters, and vivid landscapes, Broom's protagonist finds worlds lush, joyful, and even sometimes startling. In looking at the images, it would be easy to mistake the effects as a digital manipulation of the original photograph. In fact, Broom creates each of these worlds by hand, much like a stage production. These images are not put together using photo-editing software, but are the result of hours of crafting tableaux, so what the viewer sees is in fact what was in front of the camera's lens during the shoot. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

Exhibition on Display: Jan. 28–March 16, 2025 Tues.–Fri. 9 a.m.–8 p.m.; Sat.–Sun. Noon–6 p.m. Widely recognized as a pioneer of photography in the 20th century, Willoughby was the first outside photographer invited by studios to take photos on film sets. Willoughby's career took off in 1954 when Warner Brothers asked him to photograph Judy Garland during the filming of A Star is Born. Life magazine published a feature with over a dozen of Willoughby's candid photographs of Garland working on set, and a close-up photograph of her appeared on the cover. Willoughby's career took off, and his photographs became instantly recognizable, featuring naturalistic images of actors and directors in intimate moments of vulnerability. The magazine Popular Photography has called Willoughby "… the man who virtually invented the photojournalistic motion picture still." Responding to the many logistical challenges of working on film sets, he was a technological innovator, creating the silent blimp for 35mm still cameras so that he could photograph silently on set, capturing intimate moments of the stars. The exhibition features photographs from the sets of seventeen iconic Hollywood films, including Audrey Hepburn in My Fair Lady, Alfred Hitchcock on the set of Marnie, Mia Farrow in Rosemary's Baby, and Marilyn Monroe in Let's Make Love. A Program of Exhibits USA with Texas Commission on the Arts and The National Endowment for the Arts.

For service information, transport.tamu.edu/busroutes  (http://transport.tamu.edu/busroutes)

Reception 5:15 p.m.Lecture 6-7:15 p.m. Central TimeLive streaming will be available.PANELISTSAlexandra Winkler: Senior Associate for the America's Program at the Center for Strategic & International Studies and Former Deputy Mayor of El Hatillo, one of the five municipalities of the capital city of Caracas, Venezuela.Carrie Filipetti: Executive Director of the Vandenberg Coalition, Former Deputy Assistant Secretary for Cuba and Venezuela in the Bureau of Western Hemisphere Affairs, and Former Deputy Special Representative for Venezuela at the U.S. Department of State.

The annual Spring Concert held on Family Weekend of the Women's Chorus and Century Singers on Friday, April 4, in Rudder Theater. Tickets available at boxoffice.tamu.edu (http://boxoffice.tamu.edu) or 979-845-1234.

Join us for 200 hands-on exhibits presented by Texas A&M faculty and students as well as our Texas-sized depth charge, the entertaining Science Circus presentations, and educational talks by world renowned scientist and astronauts. The event is FREE and No Registration is required!  More information will be posted on our website and social media channels. 

The Annual Singing Cadets Concert held on Family Weekend on Saturday, April 5, 2025 at 7:00 pm in Rudder Auditorium. Tickets available through the MSC Box Office at boxoffice.tamu.edu (http://boxoffice.tamu.edu) or 979.845-1234.

Under the direction of Mr. Christopher Hollar, the University Jazz Ensembles will be in concert on Sunday, April 13, 2025 at 2:00 p.m. in Rudder Theater. All concerts are live streamed at http://tx.ag/MUSALive (http://tx.ag/MUSALive) $5.00 General Admission Free with a current TAMU student ID Tickets are available through the MSC Box Office (https://boxoffice.tamu.edu/online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=8C3D300E-E6B8-4952-9B39-27A91F9CCDC1&BOparam::WScontent::loadArticle::context_id=ACF834AA-08B8-46A2-8907-B721E4744FB9).

The College of Performance, Visualization and Fine Arts will host the eighth incarnation of the World Shakuhachi Festival, April 17-20. An end-blown bamboo flute, the shakuhachi has become a much-loved and ubiquitous fixture in the world music scene over the last several decades. The festival will feature a diverse range of music from these genres in concerts, workshops, lectures, exhibitions, master classes and informal gatherings. Participants can learn from and experience the artistry of the most consummate shakuhachi artists in the world, and be inspired by the endless possibilities inherent in this simple bamboo flute. Performances will take place at Rudder Theatre, Rudder Forum and the Black Box Theater in the Liberal Arts and Arts and Humanities Building. Workshops will take place in the Liberal Arts and Arts and Humanities Building.

The College of Performance, Visualization and Fine Arts will host the eighth incarnation of the World Shakuhachi Festival, April 17-20. An end-blown bamboo flute, the shakuhachi has become a much-loved and ubiquitous fixture in the world music scene over the last several decades. The festival will feature a diverse range of music from these genres in concerts, workshops, lectures, exhibitions, master classes and informal gatherings. Participants can learn from and experience the artistry of the most consummate shakuhachi artists in the world, and be inspired by the endless possibilities inherent in this simple bamboo flute. Performances will take place at Rudder Theatre, Rudder Forum and the Black Box Theater in the Liberal Arts and Arts and Humanities Building. Workshops will take place in the Liberal Arts and Arts and Humanities Building.

For service information, transport.tamu.edu/busroutes  (http://transport.tamu.edu/busroutes)